ROGAN BROWN | hand and laser cut paper wall sculpture


To see a world in a grain of sand…

“The tree which moves some to tears of joy is in the eyes of others only a green thing that stands in the way. Some see Nature all ridicule and deformity...and some scarce see Nature at all. But to the eyes of a man of Imagination, Nature is Imagination itself."

-- William Blake


My work plays with the architecture of nature and organic growth. By identifying patterns and motifs that occur in the natural world in different contexts and at different scales, both macroscopic and microscopic, I have developed a formal, aesthetic vocabulary that I use to construct hybrid sculptural forms, both real and surreal.

Familiar and other at one and the same time the sculptures make multiple visual references: cell structures, microbes, pathogens, vegetal forms, coral, fossils, insects, shells, the body’s organs and orifices, geological structures, topographical maps, cloud formations, cut away models, petri dishes etc…By mixing science and art, observation and imagination, I hope to find a bridge between the two, mimicking the breathtaking detail and complexity that exists at every level of scale in nature and filtering it through the eccentricity of the individual imagination. A recurrent theme in my work is the limitations of science when confronted by the vast scale and complexity of nature, science's goal of containing and defining nature is constantly subverted and fractured by the sheer volume and variety of data that needs to be observed, analysed and classified. This is reflected in the excessive detail that characterizes my work which overwhelms the eye by its sheer scale and volume.

Process and material are crucial; the large hand cut pieces are dissected from sheet after sheet of paper in careful scientific fashion with a scalpel knife, sometimes taking months to complete, the slow act of cutting repeating the long time-based processes that dominate nature: growth, decay and re-growth. Paper, my chosen material, embodies the paradoxical qualities that we see in nature: its fragility and durability, its strength and delicacy; there is a pleasing poetic symmetry in taking this material that was cut from the forest and by cutting and transforming it once again returning it to its origins.


  • BA, Goldsmiths' College, London University

MA, QMW College, London University


  • 2018 SOFA Fine Art Fair, C Fine Art, Navy Pier, Chicago

  • 2018 Market Art + Design, C Fine Art, Bridgehampton, NY

  • 2018 Palm Beach Modern+Contemporary, C Fine Art, Palm Beach

  • 2017 Context Miami Art Fair, Cube Gallery, Miami

  • 2017 Cut Up/Cut Out, Bedford Gallery, San Francisco

  • 2016 Context Miami Art Fair, Cube Gallery, Miami

  • 2016 Bakalar Gallery, Massachusetts School of Art, Boston

  • 2016 Off The Wall, C Fine Art & The White Room Gallery, Bridgehampton, NY

2016 Art Hamptons, C Fine Art, Bridgehampton, NY

2016 Context New York Art Fair, Cube Gallery, New York

  • 2015 The Invisible You, Eden Project UK

  • 2015 CODA Museum Paper Art Exhibition, Apeldoorn, Holland

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